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Biggest questions for all 12 WNBA teams as training camp opens

How will the rookies fit? How will biggest free agency moves pay off? How will new coaches jell? Here is the story to watch for every WNBA team.

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Training camps for the 2024 WNBA season opened Sunday, and the biggest news was the retirement of the Las Vegas Aces' Candace Parker.

While the legend said farewell to the WNBA, new talent is saying hello to the league. No. 1 draft pick Caitlin Clark is getting to know her Indiana Fever teammates, and the excitement level is building for a Fever franchise looking for its first playoff berth since 2016.

Kamilla Cardoso, fresh off an NCAA title with the South Carolina Gamecocks earlier this month, and Angel Reese, part of the LSU Tigers 2023 national championship team, are two rookies to watch for with the Chicago Sky. Meanwhile, veterans such as A'ja Wilson, who will try to lead the Aces to a third consecutive WNBA title, and Breanna Stewart, who hopes to get the New York Liberty their first championship, are both likely to vie for MVP again.

There are new coaches with the Sky (Teresa Weatherspoon) and the Phoenix Mercury (Nate Tibbetts), as the league plays its last season before expanding in the Bay Area in 2025. ESPN's Kevin Pelton, Alexa Philippou and Michael Voepel look at the biggest questions in training camp and for the season for each franchise as the WNBA prepares to tip off the regular season May 14.

How big an impact will veteran center Tina Charles have? Charles, 35, didn't play in the WNBA last season. Coach Tanisha Wright and general manager Dan Padover said Sunday they believe she's still one of the elite players in the WNBA. For her career, Charles has averaged 18.2 points and 9.3 rebounds. The Dream were the third-best rebounding team in the WNBA last season (36.1 RPG) and sixth in defensive rating (102.9). Charles should make those strengths even stronger, plus boost Atlanta's offense.

"She's been places our young group hasn't been," Wright said. "To have somebody with that experience being able to pour into our young kids is going to be really valuable."

Among Atlanta's young standouts, guards Rhyne Howard (third season) and Haley Jones (second) helped the Dream make the playoffs last season. -- Voepel

Can new coach Teresa Weatherspoon and the Sky get the best out of guards Diamond DeShields and Chennedy Carter? The Sky have turned over much of their personnel since winning the 2021 WNBA title. DeShields, who was on that championship team, was traded to Phoenix in 2022, and then after being traded to Dallas didn't play in 2023 due to injury. Now she is back in Chicago.

Carter has dealt with injuries and disciplinary issues, limiting her to just 51 games since being picked No. 4 by Atlanta in 2020. She also didn't play in the WNBA last season. But Carter, 25, can still get her WNBA career on track.

The Sky's high-profile draft picks, Kamilla Cardoso and Angel Reese, will get a lot of attention as people are eager to see the former rivals play together. Yet longtime WNBA followers are probably just as curious about what DeShields and Carter can accomplish this season. -- Voepel

When will Brionna Jones return to the court, and how quickly can she return to her usual, healthy form? Coach Stephanie White told reporters Sunday she expects Jones, who ruptured her Achilles last June, to be available for the team's May 14 season opener. The Sun fared relatively well without her in 2023, but they'll be better off with another All-Star to take some of the load off of Alyssa Thomas and DeWanna Bonner.

The other question is whether this new combination of backcourt players will be the right one to help Connecticut finally get over the hump? The Sun reshuffled their guard rotation in the offseason, bringing in Moriah Jefferson, Tiffany Mitchell and Rachel Banham to join forces with Tyasha Harris and DiJonai Carrington. Guard play has been the X factor (some would argue the Achilles heel) for the Sun in their quest for the franchise's first title. And that window might be closing imminently with Thomas, Bonner and Jones all set to be free agents after this season. -- Philippou

How will the Wings adjust while forward Satou Sabally misses the first part of the season? Last year's most improved player in the WNBA is out until around the Olympic break as she rehabs a shoulder injury. Last season, Sabally led the way as the Wings advanced to the playoff semifinals. Without her, Dallas can still rely on superstar guard Arike Ogunbowale, forward Natasha Howard and centers Teaira McCowan and Kalani Brown.

The Wings also might get a chance to see how much center Stephanie Soares and guards Lou Lopez Senechal (who is not yet in camp as she is competing overseas) can contribute. They were selected fourth and fifth in the 2023 draft but didn't play in the WNBA last season due to injuries. -- Voepel

How much impact will No. 1 draft pick Caitlin Clark have right away on the Fever's scoring ability? Last season, Indiana was seventh in the league in scoring average (81.0 PPG) and sixth in offensive rating (103.0). Clark had one of the greatest offensive careers in college basketball history, with 3,951 points and 1,144 assists playing at a fast pace at Iowa. She will have even more accomplished targets to pass to now, led by 2023 WNBA Rookie of the Year Aliyah Boston, and no longer needs to be the leading scorer virtually every game.

The Fever were eighth in 3-pointers per game last season (8.5), and that number should go up with Clark, who had a record 548 3s in college. Clark was the primary ball handler all the time with the Hawkeyes, but she doesn't have to carry that load the same way with Indiana. -- Voepel

Who will join Alysha Clark on the Aces' second unit? The two-time defending champs won in 2023 with limited contributions from their bench, at least after Candace Parker - who announced her retirement Sunday - was lost to a season-ending injury. Per WNBA Advanced Stats, Las Vegas reserves averaged a league-low 13.5 PPG.

Because Becky Hammon can keep multiple All-Stars on the court at all times, the Aces don't really need scoring, but they're hoping Bria Hartley can be a reliable backup playmaker and fellow newcomer Megan Gustafson will be a physical presence in the paint. -- Pelton

How ready are rookies Cameron Brink and Rickea Jackson to contribute? The Sparks made their long-term focus clear this offseason, which saw them lose franchise stalwart Nneka Ogwumike but add two of the top four picks in the WNBA draft.

There's still veteran talent on hand in Los Angeles, but given the Sparks will also start the season without newcomer Julie Allemand (ankle) and incumbent starter Azura Stevens (arm) due to injuries, they'll likely be counting on Brink and Jackson to play key roles on opening night. -- Pelton

How much can the Lynx improve defensively? Long stout at the defensive end of the court, Minnesota has finished 10th in the WNBA in points allowed per 100 possessions each of the past two seasons.

"We will work on defense from Day 1 of camp, contrary to the last couple years," Lynx coach Cheryl Reeve told the Star Tribune. The addition of post player Alanna Smith in free agency should also help. Smith's 1.3 BPG last season with the Sky would have led Minnesota. -- Pelton

Have the Liberty addressed their perimeter defense? The Aces exposed that Achilles heel in the 2023 WNBA Finals, and it emerged as a glaring need for the Liberty to bring home the franchise's first title.

With Betnijah Laney-Hamilton, Courtney Vandersloot, Kayla Thorton and Sabrina Ionescu all already under contract, the biggest free agency questions for New York actually came in the frontcourt. They re-signed Breanna Stewart and Jonquel Jones, locking in their newly formed core.

But the Liberty's bench pieces have changed since last year: They signed Kennedy Burke to a protected contract, are bringing over Ivana Dojkic and Leonie Fiebich, and drafted Marquesha Davis. They also acquired the rights to Rebekah Gardner, who would have been a perfect addition but is coming off an Achilles injury she suffered overseas. One thing that should help: Having a year of chemistry together under their belt plus some invaluable playoff experience, even if it didn't end the way they hoped. -- Philippou

After upgrading their roster in the offseason, will the Mercury truly emerge as contenders this season? They'll have to chase the likes of the back-to-back champion Aces and 2023 runner-up Liberty, not to mention the resurgent Storm. Phoenix brought in big names in the offseason in Natasha Cloud, Kahleah Copper and Rebecca Allen to complement Diana Taurasi, Brittney Griner and Sophie Cunningham, but as we've seen, having talent on paper isn't a magic bullet for a championship.

This also could be the last shot for Taurasi, who will turn 42 in June, to win her fourth championship, should she opt to retire after one final Olympic run in Paris. Training camp will be an early opportunity for all those pieces to mesh together and identify which players round out the bench and rest of the rotation (11 players are essentially competing for five open spots).

All eyes will also be on the on-court style of play and culture coach Nate Tibbetts looks to establish in his first year. A smooth summer with stability is much-needed in Phoenix after a tumultuous past few seasons. -- Philippou

How do newcomers Nneka Ogwumike and Skylar Diggins-Smith fit in? A year after losing Breanna Stewart in free agency, the Storm added perhaps the two biggest names to change teams in Diggins-Smith and Ogwumike.

Positionally, they're natural fits alongside holdover All-Stars Jewell Loyd and Ezi Magbegor, but Seattle coach Noelle Quinn will need to integrate players with very different skill sets than the Hall of Famers (Stewart and Sue Bird) the Storm had at point guard and power forward when they reached the 2022 semifinals. Seattle must also sort out a second unit among young players and newcomers. -- Pelton

Who will step up for this new-look Mystics squad? Gone are Elena Delle Donne and Natasha Cloud, ushering in a new era for the franchise. Coach Eric Thibault said Monday he's looking forward to seeing which players snag the opportunity for larger roles, and that leadership will fall on several people. Ariel Atkins and Brittney Sykes will be counted on for much of that, as will returner Myisha Hines-Allen and promising 2022 lottery pick Shakira Austin, who's coming off hip surgery.

As the Mystics look to revamp their offensive identity, Sykes will step into the primary point guard role with the departure of Cloud. Free agency acquisitions Stefanie Dolson and Karlie Samuelson, in particular, could also carve out larger roles.

The franchise views this year as a reset, both on the court and even in terms of culture, and will look to build off this season's positives moving forward, especially considering the Mystics have two first-round draft picks in 2025. -- Philippou
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Sports

Giannis: Wasn't close to return before Bucks out

Giannis Antetokounmpo says he "tried my best" to get back on the floor for the Bucks' first-round playoff loss to the Pacers but acknowledged he "wasn't even close" to playing.

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MILWAUKEE -- Despite trying to push himself to be available to the Bucks for the playoffs, Giannis Antetokounmpo acknowledged he was "not close" to returning from his strained left calf, adding he only could run at about 30-40%.

"I tried my best to come back to help my teammates," Antetokounmpo said Friday, a day after the Bucks dropped their first-round series to the Indiana Pacers. "It's kind of hard to see them being out there and not being able to help them, but I just couldn't.

"I did all the tests I had to do, these like protocols you have to follow and have to check the boxes. I wasn't even close at checking the boxes."

Antetokounmpo last played April 9. He ended up missing three weeks with his left calf strain, sitting out the final three regular-season games and the Bucks' six-game postseason.

This was the second consecutive postseason when Antetokounmpo has missed games with an injury, with a back issue having sidelined him for multiple games of the 2023 playoffs. It left Antetokounmpo to consider whether he needs to change his approach heading into next season.

"I don't know. Maybe I do follow a different pattern," Antetokounmpo said. "Maybe try different things. I don't like the word 'rest.' Like, if I can play, I will play. If I cannot play, I can't play.

"I'm for sure going to sit down and think about it, of how my summer is going to look like and how next year is going to look like."

One potential factor in Antetokounmpo's summer schedule is the Paris Olympics. Antetokounmpo has previously expressed interest in playing in the Olympics but has not confirmed that he will. Greece also still has to earn a spot in the Games in a July qualification tournament.

Antetokounmpo said he would take about two to three more weeks to recover before deciding his next steps.

After sustaining the injury against the Boston Celtics on April 9, Antetokounmpo initially thought he would be able to return to the game that night. After some initial tests in the locker room that afternoon, he got off the trainers table but felt pain when he took his first step. Antetokounmpo wore a walking boot for the first week after the injury.

Before Game 4, he began jogging for the first time since the injury.

"Usually I heal pretty fast," Antetokounmpo said. "Whatever happens to me, whatever they say [for a time frame], it's half that. I think this time it might not be the case."

Antetokounmpo is coming off one of his best seasons. He played 73 games in the regular season, his most since 2017-18, and averaged 30.4 points on 61.1% shooting, the first player in NBA history to score 30 points per game on 60% shooting.

Still, the Bucks fell in the first round for the second consecutive season. Despite the early exit, Antetokounmpo said he felt confident going forward about the Bucks' ability to contend.

Especially considering how little time the Bucks' best players spent on the floor together once Doc Rivers took over as coach. After Rivers' first game Jan. 29, Antetokounmpo, Khris Middleton and Damian Lillard played eight total games together.

"Obviously, it doesn't feel good. The wound, you know, it's fresh. It's open. You just lost in the first round," Antetokounmpo said. "But I'm not a guy who makes excuses. Right now, I do believe that when me, Khris and Dame and Brook [Lopez] was on the floor and we're healthy, we were one of the best offenses in the NBA. And you can go and check that."

To bounce back from a disappointing exit, Antetokounmpo said he was looking forward to having a full offseason. It would give him more time to learn from and work with Rivers as coach and to build chemistry with Lillard, whom he planned to visit in Oregon over the summer.

"It's different when you have the whole summer and training camp, a year, to prepare for the end than to just have three months," Antetokounmpo said. "It was a hard season. From many aspects, if you look at the changes: The coaches. The players changes. New assistants. New people, new staff. How you play ... it was something draining. But this is why we do what we do; we don't expect it to be perfect. Just got to keep moving forward and try to do your job and hope you can do it to the best of your ability."
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Technology

Ryûsuke Hamaguchi wants you to watch his new movie at least twice

The Japanese director sat down with The Verge to talk about his new film, Evil Does Not Exist, and how the reception of Drive My Car has changed expectations of his work.

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The rapturous reception and Oscar nomination for Drive My Car made Ryûsuke Hamaguchi an internationally recognized director. But his newest feature, the eco-conscious rural drama Evil Does Not Exist, is a much smaller work — in fact, it wasn’t even supposed to be a feature film to begin with, but a visual accompaniment for his longtime collaborator Ishibashi Eiko.

Still, Hamaguchi takes the smallest of small-town politics (a 20-minute scene is about the placement of a septic tank at a new glamping site) and spins together a conflict about family, community, and whether humans can actually live peacefully in nature. Speaking through a translator, Hamaguchi sat down with The Verge last October, just after the premiere of Evil Does Not Exist at the New York Film Festival, to talk about the movie’s reception, its surprising origins, and the meaning of its wild ending.

This interview has been edited and condensed.

A portrait of Ryûsuke HamaguchiA portrait of Ryûsuke Hamaguchi
CMPR

Your profile internationally is much larger since Drive My Car. Do things feel different this time around?

Yes, I definitely feel like it is quite different. I would say that the interview requests have increased exponentially since before Drive My Car, and for that, I’m very thankful. And of course, there’s also the pressure and worry about meeting certain expectations. So last night’s warm reception was really, really wonderful for me.

Did the expectations change the way you wanted to make your next movie?

I don’t know if it has much to do with the reception of Drive My Car, but it did feel like a culmination of about 10 years of work. And so this time, I felt like I wanted to do something a little different.

Different how?

This film was started as a prompt from Ishibashi Eiko to make some live accompanying visuals for her live performances. And so thinking through that process and one where I was asked to make a film without any dialogue was really, really interesting to me. Typically, I write from dialogue. I start with the script and the conversations that the characters are having. And so I had to think very deeply about how to write without starting from that space. I did a lot of research, and I thought that it was a very fresh approach for myself.

How did you find this town, Mizubiki?

The town itself is fictional — an amalgamation of various places that I was researching. But I started from just thinking about what environment would match Ishibashi-san’s music. We went to her studio, a place that’s surrounded by nature. I was trying to think about visual elements that would match her music and visiting her town.

We also encountered the story of the community meeting, which is something that actually happened there. And so that also became part of the research and became part of the film.

The real meeting was about glamping?

Yes.

Is glamping popular in Japan?

The interest is at an incline right now, yes.

Do you feel it’s a post-pandemic interest or...

I’m not sure if it’s a direct response to the pandemic because there was a lot of interest before the pandemic, but that increase in interest maintained itself during the pandemic because it was something that was also something that you can enjoy even during covid.

I felt like a lot of the anxieties in the movie felt like a lot were out of the pandemic. The surprising part to me is when the perspective shifts to the two workers at the talent agency. They hate their office jobs and want to be outdoors. It felt like people who were stuck working from home, and those feelings were brought to the forefront by the pandemic.

I wouldn’t say that the relationship to the pandemic is that direct in the film. In fact, I think about the general mood of the film as being something that’s been progressing in about the last 10 years in Japan, the economic decline, and the fact that the pandemic maybe accelerated these various worsening of society. For instance, the irresponsible plan to bring on a glamping site, that’s more a reflection of an increase in people driving toward short-term profits. And it’s just indicative of that general state of society in Japan.

And a disturbing of natural ecosystems.

Yes, nature is affected as well. In fact, in areas like Tokyo, the more heavily wooded areas are being paved over because of redevelopment, and there are a lot of protests happening around those kinds of issues. And so I think that a lot more people and entities are just thinking about short-term profits and really not considering the long-term effects that has on society and nature.

The meeting scene is very confident. Were you worried it would be boring on screen, or did you just know it was going to be compelling?

When I heard about this real meeting that happened, I found it incredibly interesting. For the film, I actually took a very long meeting and tried to condense it into a 20-minute scene. I was pretty confident that people would find this interesting. And I think that it’s something that when you’re watching it, you may first think that it has nothing to do with yourself, but as you’re watching you realize that there’s a lot to relate to.

Twenty minutes is a long scene.

Twenty-minute scenes are pretty common in my film, so I wasn’t that worried.

A still from Evil Does Not ExistA still from Evil Does Not Exist
CMPR

So you hear about the meeting, and you’ve shot footage for Eiko’s project. At what point did you know you had the start of your next feature-length film?

I began to see this as an independent film while filming. In fact, it was when we were filming the scene at the community meeting because even within the film, it’s one where the dialogue is very important. I noticed just how important each actor’s performance was, and that’s when I thought it needs to be its own thing.

(Brief spoilers follow)

Okay. I do want to ask about the ending. I feel like it takes a pretty sharp turn at the end. What are you trying to say?

There’s nothing that I want to explain in words, to be honest. Last night at the onstage Q&A, I mentioned that perhaps it takes three viewings to understand the ending. But I actually think that two times might be enough to understand that the things that are happening in the film are actually all leading toward and progressing toward that culminating moment.

Yeah, I guess I’ll test my read of it on you. Takumi has this very idyllic notion of this town, and then the ending pulls that ideal away from us. Moving to this town isn’t going to solve his problems.

Okay, okay. I think that is one facet of the ending, but I also think of how perhaps Takahashi was also idealizing himself, and that was also a result in that ending.

And have you ever been glamping?

I would like to go, but I haven’t gone yet.

Evil Does Not Exist opens in select theaters in Los Angeles and New York on May 3rd.

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